RATING

RATING
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Thursday, July 9, 2009

The Bones of Summer

Title: The Bones of Summer
Author: Anne Brooke
Publisher: Dreamspinner Press
Genre: M/M Contemporary Romance, Mystery
Length: 252 pages
Rating: 5+ stars out of 5

A Guest Review by Jenre

THE BLURB

When Craig Robertson's religious fanatic father disappears, Craig is forced to return to the home he'd left behind after an underage affair in order to look for answers. His new lover, private investigator Paul Maloney, agrees to help so they can continue to enjoy their fledgling relationship.

During his initial search, Craig finds items that belonged to Michael, his lover in that long-ago ill-fated affair, and soon discovers that Michael has disappeared as well. The search becomes an investigation into Craig's past, and, because of distressing gaps in his memory, he's terrified of the truths he might find. Finally Craig tells Paul his deepest fear: that Michael is dead and he himself is responsible.

While Paul refuses to believe his lover is a murderer, Craig's obsession with uncovering clues grows, and their fragile relationship begins to disintegrate. Now on his own, haunted and stalked, Craig has to face down the horror of his memories if he wants to have any hope of a future at all.

THE REVIEW

This is my first full marks review and to be honest I'm a little nervous as to whether what I'm going to write now will actually do this book justice. It was that good. So good, in fact, that I may run out of superlatives. So good, that my mind disappeared into 'book world' and I spent every single spare moment reading. So good, that even when I had to do pesky real life things like cooking I was still thinking about the book, wondering what was going to happen next or mulling over the characters, their merits and their flaws.

At the beginning of the The Bones of Summer everything is going well for Craig. He's happy with where he lives and is good friends with the two women he shares a house with. He likes his modelling job, even if he's not been able to get on as an actor. Best of all, is that he gets a phone call from a guy he met a couple of months ago, Paul, who wants to get together and maybe start something. Things are on the up for Craig and he's happy to go with it and forget all about the terrible things that happened to him when he ran away from his Devon home seven years before.

Unfortunately for Craig, life has a way of kicking you in the teeth when you least expect it. Just after his first date (and night) with Paul, he receives a letter from an old neighbour and friend in Devon telling him that his father is missing. This starts off a chain of events which forces Craig to return to Devon and his past and confront all that he was attempting to forget. Paul is a Private Detective and offers to help Craig investigate his past. This then impacts on their tentative relationship.

There are two main themes running through this book. The first, and most obvious theme is that of facing up to your past. Craig ran away from his abusive Father at the age of seventeen and has spent the intervening years trying to avoid thinking of his childhood and the events which led to him leaving. The past, as they say, has a way of catching up with you and I found it admirable in Craig that he faces up to that once he realises that he can't stay in hiding forever. His reaction to going back to Devon was a mixture of heartbreaking and confusing for the reader. Craig himself has large gaps in his memory and often reacts to his surroundings in a very emotional way that even he can't understand, let alone explain to Paul. It takes time and a painful stripping away of the layers before Craig is even able to discover what happened. The reader is taken along with that emotional rollercoaster and I found that I had to be very patient and wait, like Craig does, before I got answers to the many questions that I had as I was reading.

Paul too has a past. He has suffered tragedy and betrayal in his life which you would think would make him the ideal person to help Craig through this difficult time. However, things are never that simple which leads to the second theme: That of secrets and lies. Both men have secrets from each other. In one sense this is understandable; they have just met each other and are starting a tentative journey on the road to love. Neither one of them want to share their past with each other yet. Craig doesn't want to scare Paul off and Paul has his own reasons to which we are not privy. It did annoy me that Paul often accuses Craig of lying to him, when, rather hypocritically, he never comes wholly clean about his own past. In fact, I found myself getting cross with Paul quite a lot throughout the book. On one hand he offers to help Craig and even spends a lot of time supporting him through this terrible time; but on the other hand he uses quite brutal methods to force Craig to open up and speak about his past. Methods such as the use of emotional blackmail by withdrawing his approval or acting coldly towards him or blowing hot and cold so that Craig is confused as to where he stands in their relationship. I wasn't sure I liked Paul, but that didn't mean he wasn't a terrific character. He was - as is any character who draws such a response from me.

If you are thinking that this sounds like a very angst filled book, then you will be right. Emotions run high throughout the novel. Both men are strong characters who are dealing in their own way with distressing things that have happened to them. Sometimes they break down in tears; sometimes they clash horribly and say dreadful things to each other; sometimes they make love fiercely in order to forget; sometimes they close up and suffer in silence. These were complex men and I was never really sure how they would react at any time. It was this unpredictability that had me on the edge of my seat throughout the book. What a thrilling ride!

Having said that, the book wasn't all doom and gloom and what saved it from being too heavy going was the internal voice of Craig. He had a typical British self-depreciating sense of humour and a ready wit, which brought out humour in the direst of circumstances. An example of this was his self-created list of 'rules for gay men'.

But he’d better not forget Gay Rule Number One: At least find out a name and a job before you do the business.

Craig also has a great optimism about him. He always tries to focus on the good, even if he does worry about the bad things which are happening to him. This idealistic cheerfulness was appealing and coupled with Craig's sarcastic humour often gets him into trouble, but did help to lighten the feel of the book.

I've only touched the surface of what was so great about this book. It wasn't just the realistic characterisation that made this book a fantastic read. The settings were so ordinary, so domestic, such as kitchens, bedrooms, an office, a club, and yet terrible things happened in those settings so that their mere ordinariness added to the chill down the spine. The plotting was tight, with each clue, each answer, being revealed slowly until a breathtaking, frantic, thrilling conclusion.

Have I waxed lyrical enough about this book? I don't think I can. All I can do is recommend that you read The Bones of Summer. Actually, this goes beyond recommendation to a plea - if you like mystery; if you like character driven books; if you like reading compulsively, unable to part with the story for even a short time; then you must read this book.

21 comments:

Erastes said...

I have read one of Anne's books - A Dangerous Man which is one of the best m/m books I've read in the last few years, and yes! It's a contemp. She's (based on that one read) a really powerful writer and she truly deserves to do well.

nichem said...

Sounds like a great book, Jenre. Is it a sequel to Maloney's Law, and, if so, is it helpful/ necessary to read Maloney's Law first?

Ingrid said...

I was not so sure about this one based on the blurb and the excerpt so I passed.
It looked like it was a good read after all.

Kris said...

Terrific review, Jen!

You convinced me... not that I needed much you cos had me at the words 'character driven story'.

My name is Kris and I'm a cds addict.

Jenre said...

Erastes: This is my first Anne Brooke book. I was impressed by the sheer complexity of both the story, which had several plot threads woven throughout before they were resolved at the end, and the characterisation, which I've been able to touch on in this review. I'm going to be reading all the other Paul Maloney books as soon as possible.

Nichem: This does follow on directly from Maloney's Law. I've not read it but Paul does make several references to the events from that book, so I could get some understanding of what had happened. I don't think it's necessary to have read Maloney's Law before this, but I'm hoping that when I read it, then that will shed some light on the character of Paul. I have to warm you though, that there are some spoilers for Maloney's Law in The Bones of Summer so if you'd rather not know what happened in that book then you should perhaps read it first.

Ingrid: I don't think the blurb does this book justice. I umed and ahed for a while before deciding to go for it. Clare London had recommended that I read an Anne Brooke book, so I took the plunge, despite the blurb - I'm so glad I did!

Tam said...

I saw the cover on that one as I was scanning through some site and thought "hmm, a skull on an m/m romance" and passed on by. But I do enjoy a good mystery and this sounds great.

So was the spelling British or American? :-D Just had to ask.

Jenre said...

Kris: You are also a book slut and pathologically unable to pass up a good book. So, a win-win situation!

Tam: The spelling was British and there are also a number of British phrases (like 'snogging') which had me rubbing my hands in glee.

Anne Brooke said...

Gosh. Well, gosh. Thank you so much, Jen. (And thank you, Erastes, for the tip-off and the lovely comments about ADM). I'm actually crying (Lord, but I'm a wash-out) but thank you. I'm so glad you liked Craig (and the difficult Paul - sort of!). They both obsessed me rather, when I was writing them.

Ingrid: Sorry the blurb doesn't work very well - but to be honest I'm never quite sure what the heck they're about either!! My brain is as always mush ...

Tam: the publishers did make me change a lot of the spelling to be American, so I hope it didn't end up being too muddled. I learnt a lot about US spelling I didn't know before though! And gosh, Jen, I had no idea snogging was specifically British (I'm not allowed out much, you see - in case I frighten people ...).

:))

But, seriously, thanks again - as I usually have such a hard time getting any book accepted, it's nice to know you've enjoyed it once it's allowed out.

Hugs galore

Axxx

Tam said...

I think snogging is becoming more universally known thanks to Harry Potter. LOL Who'd have guessed.

I'm used to reading muddled spelling because I do it myself.

jessewave said...

Jen
I think I'm going to have to put this book on top of my TBR list. Where will I ever find time for other stuff?) I'll send you Maloney's Law so that you can review it as well to complete the picture - sorry I didn't think of it before.

Anne
Thank you for coming by the blog - we do our best not to frighten away the authors.:) Glad you liked Jen's review - isn't she great? Why would your editor make you use US spelling? I thought if a book was set in the UK it was OK to use the British spelling?

Erastes said...

Wave - it's an annoyance that a lot of publishers insist on. PD Publishing let me stick with UK spelling but no-one else. Linden Bay actually had it in THEIR GUIDELINES that if it was a UK based fic they would accept UK spelling but when it came down to it, they wouldn't - it really hurt me to have my guys saying "color" and "humor". The only things i would NOT be moved on were things like arse and not using gotten.

jessewave said...

Erastes
I don't understand this insistence and fixation with US spelling. Is it because the editors themselves do not understand what the words mean?:) The reading public, whether British, US, Australian, Canadian or Japanese surely only want a well written story that they can relate to and could care less about whether the spelling is US.

Anne Brooke said...

Glad it wasn't just me then, Erastes! Though you are far braver than I am! - I just obeyed whatever instructions were sent, and so I do have "gotten" - though at one point I got away with a ... um ... "got", which they must have forgotten (oh lord this sentence is becoming some kind of weird poem - please let it stop soon!...) about it, and I didn't say anything.

==:O

I had great fun going through and changing all the single UK-style speech quotes to double US style ones too. That was fun! I shall definitely remember to do that first if there's a next time.

:))

Axxx

Jenre said...

Thanks Wave, I shall look forward to reading that.

Ingrid said...

It's a shame that you should have done so Anne. Even more since this story is set in Devon. Been there, beautiful!

I much prefer British grammar. It reads so much easier.

Erastes said...

Wave: I think it's because US publishers simply think that as that's where the market is (mainly, hey - lets ignore the books are sold in every country, shall we?) that US English is the universal language. Shouldn't we then we writing these books in Mandarin? Or Esperanto?

I did a blog on your post about it a while back, and most people didn't care, so I don't see why publishers do. I'll never allow my english settings to change words- like pavement to sidewalk for example, that's a real deal breaker for me - and now I've learned that the problem exists, it's a question I ask pre-contract.

Anne - I'm a bit more confident now - I used to think that all edits had to be accpeted, but PD were so great to work with, and said to me I could dispute any point I wanted - which I did. They only refused to bend on one word "bursary" which was baffling to me, considering all the other "arcane" words I used.

Surely you can use "find and replace" to sort the punctuation out? However, now, I admit I write the draft as close to submission formatting as I can, and if I'm writing for a publisher I know will insist in USA spelling, I'll set the document to that in advance so it reminds me when I spell something "wrong."

Cheyenne, I'm thrilled to say, are re-issuing Frost Fair in English English. Hurrah!

jessewave said...

Erastes
Trace Edward Zaber gave a response from the publisher's perspective when he was interviewed on Monday. Basically he said that at Amber Allure if a story is set in England they didn't have a problem with English spelling but that it should be consistent throughout.

Erastes said...

I really liked that interview, and AA impresses me, but sadly, I'm not invited.

:(

thelastaerie said...

This sounds good. I love a solid mystery with hot guys. angsty and real conflicts and well-drawn characters - what else do we need?

and wow! no half naked men on the cover too! *g*

I confess I have the habit of correcting US spellings when I read! :)))

Jeanne said...

Diversity in speech and spelling is just another thing I like!
I didn't realize that there was a difference with pavement and sidewalk.
In America we have an expression: pounding the pavement as inn looking for a job. Why on earth would there be a problem with using one or the other or both?

I do find certain speech patterns intersing and love accents.
But then, I'm a nut! :~D

Aunt Lynn said...

Sorry to be late to the party. Great review. I'll be adding it and Maloney's Law to my TBB list. Thanks Jen.